When the Dostoevskaya metro station opened on the gray line a couple of years ago – it’s located right next to the Russian Army Theater and a hop-skip-and-jump from the fabulous Ten’ (Shadow) Theater – it raised a veritable ruckus. Oh, there was all kinds of nonsense about how it was going to scare metro riders away, how it was going to create murderers with its portrait of Raskolnikov, and how it was going to foster suicide by encouraging young people to throw themselves on the tracks as trains were coming in. You get the picture. The typical damned nonsense that people write and say and think and propagate this crazy day and age. In fact, the entire underground part of the station, designed by Ivan Nikolayev, is a brilliant monument to the world of Fyodor Dostoevsky’s novels. What I particularly love is the way, for instance, that Nikolayev even gave a nod to Nikolai Gogol, the most important early influence on Dostoevsky. A Gogol-like figure depicted on the wall of the stairwell appears to be hurrying down to catch a train as actual riders pass him by. It’s a lovely touch, smart and witty. I also love the black, white and gray color scheme that suits Dostoevsky’s art so well.
Down on the actual platforms, mosaics on wide columns illustrate various scenes from Dostoevsky’s greatest novels. I happened to click my camera at two columns depicting the characters and events of Crime and Punishment, maybe because that was the first Dostoevsky novel I ever read way back when in another lifetime. For the record, I read Crime and Punishment on the heels of having read Leo Tolstoy’s War and Peace and Anna Karenina and I didn’t notice the slightest drop in quality. This was in high school. The 1970s had just gotten underway. That little bit aside, I should mention that I wrote about this wonderful metro station in a Moscow Times blog several years ago. Should the spirit move you, you can read that here.