Alla Nazimova temporary residence, Bel Air, CA

Click on photos to enlarge.

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[Shortly after I posted the following text, a wonderful response was posted below, correcting many errors in my speculation, and adding lots of good details about Nazimova. My suggestion is that you start by reading Jon Ponder’s comment, then go to my text (or skip it!) in order to get the straight dope first.]
I’m not exactly sure where Alla Nazimova lived at 1000 Stone Canyon Rd., Bel Air, CA, but she did stay here for awhile in the 1920s. I can’t help but wonder if the guest house she occupied is what apparently is now a garage. It would make sense. All the more so, since this house, pushed up against a densely wooded hill, seems to have no other place where a guest house might fit.
This, one of Los Angeles’s most exclusive neighborhoods, has been home to dozens, if not hundreds, of famous people over the last century. Just a few include: Betty Grable, Judy Garland, Greer Garson, Howard Hughes (whom Ava Gardner once attacked and nearly killed with a bronze statue after he slapped her to the floor in his home down the street at 1120 Stone Canyon), Kareem Abdul-Jabbar, Steven Stills, Marvin Gaye… and we could go on seemingly forever. Most sources tell us that Nazimov stayed in a home belonging to Hollywood musical director Morris Stoloff, a three-time Oscar winner, but I wonder about that. Stoloff, who obviously had Slavic or Jewish Slavic roots, though he was born in Philadelphia, did not really achieve great success until the mid-1930s, when he became the music director at Columbia Pictures (1936, to be exact). Would he – in his early-to-mid-20s, just starting out in his career – have had the money to purchase this exclusive residence? Sure, it wasn’t as exclusive in the 1920s, but still, this somehow doesn’t add up. I can only assume that the home has now become associated primarily with Stoloff, so that mentions of Nazimova staying here are automatically connected to what would have been his later residency.
In any case, we know that Nazimova, one of those “refugees” from the Moscow Art Theater who made a career in Hollywood, stayed here at least for awhile when she was at, or close to, the peak of her career. Since she occupied a guest room, and since her famous, even notorious, Garden of Allah hotel on Sunset Strip was still being rebuilt between the years of 1918 and 1926, one can conjecture that her time on Stone Canyon Rd. was just a way station for her. It’s possible that she stayed here, waiting until she could move into her new, bigger property.
Nazimova (1879-1945) was born in Yalta with the Spanish name of Marem-Ides Leventon (her earliest-known ancestors apparently left Spain in the 16th century). Her Russian name was Adelaida Yakovlevna Leventon. She first used the stage name of Alla Nazimova when appearing at the Art Theater, on whose stages she performed from its very founding in 1898. Most of the time she played small roles under Stanislavsky and by 1903 -04 she began to feel the pull of destiny. She traveled to the Russian provinces where she played numerous leading roles and enjoyed significant success. (Legend has it she met Anton Chekhov in Yalta in 1904 and that he appreciated her talent.) She made the leap to the United States in 1905 (the year of the first, failed, Russian Revolution). She threw herself into studies of English and, by 1906, debuted on the American stage, performing the title role in Hedda Gabler in 1906. According to one Russian online biography, Eugene O’Neill was so taken by Nazimova’s performance that he attended the show ten times. Her fame grew so quickly that she was invited to visit Teddy Roosevelt in the White House during the time of his presidency.
True fame came knocking, however, when Hollywood called. She made her first film in 1915 (War Brides), but the real start to her career took place in 1918 when she appeared in three films. Her golden years as a Hollywood actress coincide with the period (apparently) when she stayed at the home pictured here. She played the leads in Camille (1921), A Doll’s House (1922) and Salome (1923), confirming her reputation as an exotic beauty and a powerful actress. It is worth noting that between 1918 and 1923 she was also a producer and writer, wearing one or both of those hats in eight of the films she made as an actress. By 1925 her film career, which lasted barely a decade, was virtually over. She performed in three films in the 1940s, but that was another era and another level of art.

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Nazimova’s legendary Garden of Allah estate and hotel (along with her swinging sexual escapades) are now more famous than Nazimova herself. The extravagant structure and beautiful grounds attracted virtually everyone in the Hollywood elite in the 1920s. The Wikipedia article on the location provides a list of some 75 A-list celebrities who lived in, or stayed at, the hotel at one time or another. Although Nazimova never returned to Russia after she left in 1905, when she had a swimming pool built at the Garden of Allah, she may have had it done as a copy of the Black Sea, alongside which she was born. I make that weak claim, however, and must immediately admit that there is still argument as to whether this is true. A lovely internet article tells the story of the pool with plenty of juicy detail (John Barrymore supposedly held the record for falling into the pool; and, “Marlene Dietrich and/or Tallulah Bankhead were said to like to swim in it at night naked except for their jewelry”).
There is virtually nothing left of the Garden of Allah these days. It was bought by a benighted banker, Bart Lytton, in 1959 and he razed it in order to build his bank’s headquarters there. I remember seeing a video on the internet a year ago, when I began researching Russian addresses in L.A., that took viewers down into a basement in one of the businesses now located there, and revealed a couple of tiles or something similar from the original Garden. I don’t  find that video now, but it’s out there. If some intrepid one among you finds it, you can post the link below.
As such, in a curious sort of way – this house at 1000 Stone Canyon Rd. is one of the closest, tangible links to Nazimova’s Garden of Allah. Because, chances are, it was while she was here that the planning and building of the Garden took place. For the record, according to the Movieland Directory, she had a total of three other L.A.-area addresses during the 1920s: 649 W. Adams Blvd. (unspecified 1920s); 1438 Hayvenhurst Dr. (1924-26); and the Garden of Allah at 8152 W. Sunset Blvd. (the address was actually 8080 at that time). The Movieland Directory suggests that Nazimova moved into the Garden of Allah in or around 1930, but I think it’s safe to say she did so earlier – probably 1926 or 1927. I am assuming that Stone Canyon was the first of those address. It would make sense that she lived here temporarily before moving into more permanent quarters, but this is just my conjecture.

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2 thoughts on “Alla Nazimova temporary residence, Bel Air, CA”

  1. Thank you for this excellent find. I had no idea this house is still standing, and you are right that it is one of the few tangible connections to Alla Nazimova that remain in Los Angeles.

    She lived there with Morris and Elsa Stoloff in November 1937, at a time when she was contemplating a return to Hollywood after a 10 year absence, She’d spent most of the 1930s performing on Broadway.

    Nazimova first moved to Hollywood in 1918 under contract with Metro Pictures, a precursor to MGM. At $13,000 per week, she was the highest paid female star in town. (She was 39 years old.) She leased the estate Hayvenhurst in 1918, but bought it outright the following year. She jokingly referred to her home as the Garden of Alla, a riff on a popular novel at the time, The Garden of Allah, by Robert Smythe Hichens.

    After a string of hit movies — all of which have been lost — Nazimova decided to launch out on her own. She made a series of independent films that were all bombs, including “Camille” with then unknown Rudolph Valentino, and “Salome.” Both of these films exist and can be viewed on YouTube.

    These ventures bankrupted Nazimova, and she was convinced by her business managers, John and Jean Adams, to convert Hayvenhurst into a residential hotel. Nazimova outsourced this to Jean Adams and promptly went to work touring a play around the country. Adams built about two dozen villas on the property, but did a shoddy job. The villas were notorious for their very thin walls.

    The Garden of Alla Hotel opened in January 1927. Although it was a popular stopping place for stars like Clara Bow, Nazimova later wrote that the Adamses absconded with the proceeds, and she was bankrupt once again. She sold the property back to its original owner, a developer named William Hay (who also developed the Encino neighborhood in Los Angeles). He later sold it to a hotel management company, who changed the name to the Garden of Allah, with an “h,” Hotel.

    After her stint on Stone Canyon and in a few other places around town, Nazimova and her partner, Glesca Marshall, moved into Villa 24 at the Garden of Allah Hotel. Nazimova appeared in supporting roles in six or so A-list pictures, notably “In Our Time,” with Ida Lupino, and “Since You Went Away” — her last movie, with Claudette Colbert, Jennifer Jones and teenage Shirley Temple.

    In July 1945, Nazimova suffered a coronary thrombosis in her villa. She died ten days later in a hospital, and was buried in Forest Lawn Glendale.

    Thanks again for this excellent find. If you’re interested in Nazimova, we have more about her at our Alla Nazimova Society website — http://www.allanazimova.com — and I have more at my site about Sunset Strip history, Playground to the Stars, including this article, as well as the one about the pool that you linked to above – http://www.playgroundtothestars.com/timeline/1918-alla-acquires-garden/

    1. How wonderful to have so much of my speculation sharpened or corrected! I’m most interested to see that she actually stayed here in 1937 – all the myriad sources (which, I realize, copy one another) had her there in the 1920s. I will put a “disclaimer” at the top of my post to send people immediately to your comment for the real information. Thank you for sharing!

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